The Torment of the Waves (La Tourmente des Flots), Daniel Nicolaevsky: bronze cowrie shell bearing the words THE TORMENT OF THE WAVES.
Norman Mirror (Miroir Normand), Daniel Nicolaevsky: painting in progress on the slats of the installation, in the nave of a church, residency at Festival Photo Martagny, 2026.
Anu Preto, painting by Daniel Nicolaevsky outside the Théâtre de la Concorde, Paris, 2025: the black anu bird on its yellow sun, painted on the round garden stage, aerial view.
4 (a) ch/cords, performance by Daniel Nicolaevsky: a face bound in white ropes threaded with red, mouth open.
The Song of the Asphalt (Le Chant du Bitume), installation of recycled tyres and plants by Daniel Nicolaevsky.
Cradle of the World (Berceau du Monde), immersive installation by Daniel Nicolaevsky: bed bases painted with animals and birds arranged in a semicircle, the floor covered in leaves.
World Cages (Les Cages Monde), Daniel Nicolaevsky: a blue bird screen-printed behind the gilded bars of a cot.
Fragments of Joy (Fragments de Joie), Daniel Nicolaevsky: painted portrait of a smiling child holding a ball, seen through the slats of a bed.
From War to Art (De la Guerre à l'Art), Daniel Nicolaevsky: close-up of a young man's face in half-light.
The Roots of Time (Les Racines du Temps), Daniel Nicolaevsky: rope clocks and spiral neon lights, lit in red and blue.
Sleeping Nature (Nature Endormie), Daniel Nicolaevsky: a chalet entirely painted with plants, in a social housing residence in Torcy.
Vivere Memento, Daniel Nicolaevsky: lift doors opening onto a colourful image of leaves, a clock and a setting sun.
Batismo, video performance by Daniel Nicolaevsky: a body in mid-leap above a fountain, in black and white.